There is, in fact, a text behind the film - The Invention of Morel, a novella written twenty-one years earlier by Adolfo Bioy Casares, Jorge Luis Borges' colleague of the Fantastic. The Argentinean masterpiece is about a fugitive, Morel, hiding out alone on a deserted island who one day awakens to discover that the island is miraculously filled with anachronistically dressed people "who dance, stroll up and down, and swim in the pool, as if this were a summer resort like Los Teques or Marienbad" (11). It turns out that Morel's invention is a diabolical holographic recording device that captures all of the senses in three dimensions. It is diabolical because it destroys its subject in the recording process, rotting the skin and flesh off of its bones, thus gruesomely confirming the native fear of being photographed and also, perhaps, warning of the dangers of art holding up a mirror to nature.
