Sunday, July 28, 2013

9/11 Foreshadowing | Hollywood Subliminals


This has led many to conjecture as The Lone Gunmen co-writer and The X-Files producer Frank Spotnitz exclaimed: ‘What’s disturbing about it to me is, you think as a fiction writer that if you can imagine this scenario, then the people in power in the government who are there to imagine disaster scenarios can imagine it, too.’ (TV Guide 21 June 2001). In fact, following 9/11 the US government ‘cobbled together a group of film and television writers and asked them to create fantastic terrorism scenarios, so that thought could be given to (and preparations made for?) possible responses to unthinkable horrors’ (Martin 20 June 2002). Who knows what the fruit of their thoughts will be? But, the next time you watch a movie look closer.



9/11 Foreshadowing | Hollywood Subliminals


That certain members of such groups have infiltrated or collude with Hollywood’s elite writers, directors, actors or production designers to communicate their goals to each other is undisputed given that Hollywood has amended scripts, altered storylines and revised history at the behest of government, military and intelligence officials (Campbell 29 August 2001). Even now, controversy surrounds the pilot episode of Chris Carter’s The X-Files spin-off The Lone Gunmen wherein a secret faction of the US government, posing as foreign terrorists, hijacks a commercial airliner by remote control and targets the World Trade Centre (Killtown 30 January 2005). Written by Vince Gilligan, John Shiban and Frank Spotnitz would it be farfetched to suppose that one or more contributors to the show had inside information?
In a recent series of interviews with Alex Jones Prison Planet Dean Haglund, who played the role of Richard ‘Ringo’ Langly in The X-Files and The Lone Gunmen, revealed that the writers of these shows had links to the FBI and NASA, who supplied material for their show (Jones 17 December 2004 00:15:39-00:15:56). He also asserted that for the past twenty years the CIA has hired informants to attend Hollywood functions for conveying trends and concerns and related his encounter with one such informant who works as a psychic in Hollywood:
“She was at a Hollywood party where Chris Carter was standing in the corner in a tuxedo looking very out of place. And she went up to him and said, ‘Whatever you’re working on right now is going to make you millions of dollars’. And it was just before he started The X-Files. So she was a psychic who predicted the success of The X-Files not knowing what the project was or who he was. And then when I asked her, ‘What were you doing at the Hollywood party?’ she said that she was working for the CIA and that she would get e-mails telling her to go to this party and that party. And there’d be swanky affairs in the Hollywood hills and her name would always be on the guest list (she never knew how that happened). And then she would just go hang out at the party, and then at the end of the night go back and e-mail what she talked about. And she didn’t really know where the e-mail went or who this person was, but then she would get a cheque. And it turns out that was the CIA and they were just, you know, keeping tabs on what was being talked about at Hollywood parties with the producers and the creators because film is one of the, you know, major foreign policy tools that are out there….”
- Jones, 17 December 2004, 00:04:29-00:05:49; cf. Jones, 12 January 2005, 00:14:02-00:15:07
A hijacked commercial airliner targets the World Trade Center by remote control
- The Lone Gunmen (2001)

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